I’m not at all incommoded by @Wordpress having whipped $164 and a $5 International Transaction Fee out of my bank last Saturday week the 2nd of March.

I was of course greatly cheered by this kind-hearted gesture.. Let’s face it team: we really are complete dopes who need these folk, along with the estimated 400,000 Chinese-Organised-crime conscientious Call-centre Team-players labouring mightily for us in frontier Thai, Malaysian, Burmese & Cambodian prison camps to organise our spontaneous little shopping centre, Fly-buys and extraordinary 85 North East Road, Collinswood, Adelaide, 5081 +61 8 8343 4000/ +61 8 8343 4000/ 0467 922 891/ 1300 222 891 lives for us OK?

As a global internet reformer and lethal opponent of the Gates-Huang-Bezos-Apple-Feku cabal’s socially engineered dumbdown, or systematic deskilling of my race, which is indeed the only one i’ve got and is plainly not doing well subject to the multiple paroxysms of its neoliberal trade-priorities death economy AND – hats we can handle hats – especially ‘Mortar-boards’ – plasterers of the World unite you’ve nothing to lose but your mental chains, you Galahs¹ – a person with a few hundred dollars of assets for the storage of which he pays $190 per month and an Australian government pension income forced out his rental home by a major Oi-oi Land Political Class real estate corporation Ray White per its shelf-company Ray White Property Management at the end of 2021 and living with a barking-mad rich lady, a rapidly-ageing South Australian business-woman – think the former MHR for Boothby or her @AustralianLabor successor 1950s style Welfare Lady Louise Miller-Frost or the Liberal Independent @AdelaideBook who ran against them both having no idea what government was but displaying a passionate dislike of former federal Attorney General Christian Porter – or the completely postmodern @LSEGreen Cities an’ excellent music an’ social fluidity an’ Doughnut-economics person who ran against all three of them – BUT WITH each lady (or chaplet) 20-40 years older, yeehagghhh, who reckons I’m simple-minded, mentally 9 years old and VERY naughty) as the same country’s three major political parties mounted and launched a national housing affordabilty crisis now hurting 2.4m households and requiring 8m women, men, teenagers & children to skip or skimp meals EXPRESSLY TO HELP RICH PEOPLE & FOREIGN INVESTORS because nobody else would vote them back into office next time. Yee-ha.

Theda Bara

Yep, in 43 languages.

Data, we got data.

From @Wikipedia, the free encyclopedia that virtually costs the earth or at the very least of it worldwide human society by 2032²

(i) acultural entertainment industry bullshit which is grossly diseducational and virtually moronising for young people, primary schoolers, little kids and toddlers

(ii) fresh water, and

(iii) vast carbon dioxide + Big Oil extractive, flaring, refining & transport + now almost inconceivably large volumes of Permafrost-melt, eutrophic (bacterially & virally attacked) glacier-melt CH₄ methane gas discharged to the earth’s lower atmosphere

Theda Bara
Born	Theodosia Burr Goodman July 29, 1885 Cincinnati, Ohio, U.S.
Died	April 7, 1955 (aged 69) Los Angeles, California, U.S.
Resting place	Forest Lawn Memorial Park Cemetery
Alma mater	University of Cincinnati
Occupation	Actress
Years active	1908–1926
Spouse	Charles Brabin ​(m. 1921)​

Theda Bara (/ˈθiːdə ˈbærə/ THEE-də BARE-ə;^[1] born Theodosia Burr Goodman; July 29, 1885 – April 7, 1955) was an American silent film and stage actress.

Bara was one of the more popular actresses of the silent era and one of cinema’s early sex symbols. Her femme fatale roles earned her the nickname “The Vamp” (short for vampire, here meaning a seductive woman),^[a] later fueling the rising popularity in “vamp” roles based in exoticism and sexual domination.^[4] The studios promoted a fictitious persona for Bara as an Egyptian-born woman interested in the occult. Bara made more than 40 films between 1914 and 1926, but most are now lost, having been destroyed in the 1937 Fox vault fire. After her marriage to Charles Brabin in 1921, she made two more films and then retired from acting in 1926; she never appeared in a sound film.

Early life[edit]

Bara was born Theodosia Burr Goodman on July 29, 1885, in Cincinnati, Ohio.^[5] She was named after the daughter of U.S. Vice President Aaron Burr.^[6] Her father was Bernard Goodman (1853–1936),^[7] a prosperous Jewish tailor from Poland. Her mother, Pauline Louise Françoise (née de Coppett; 1861–1957), was born in Switzerland.^[8] Bernard and Pauline married in 1882. Theda had two younger siblings: Marque (1888–1954) and Esther (1897–1965), who went by the nickname “Lori”.^[9][b]

In 1890 the family moved to Avondale, a Cincinnati suburb with a substantial Jewish community.^[12] Bara attended Walnut Hills High School, graduating in 1903.^[13] After attending the University of Cincinnati for two years, she worked mainly in local theater productions, but did explore other projects. After moving to New York City in 1908, she made her Broadway debut the same year in The Devil.^[14]

Career[edit]

Most of Bara’s early films were shot along the East Coast, where the film industry was centered at that time, primarily at Fox Studios in Fort Lee, New Jersey.^[15]

Bara lived with her family in New York City during this time. The rise of Hollywood as the center of the American film industry forced her to relocate to Los Angeles to film the epic Cleopatra (1917), which became one of her biggest hits. No complete prints of Cleopatra are known to exist today, but numerous photographs of Bara in costume as Cleopatra have survived. ^[16]

Bara was the Fox studio’s biggest star between 1915 and 1919, but tired of being typecast as a vamp, she allowed her five-year contract with the company to expire. Her final Fox film was The Lure of Ambition (1919). In 1920, she turned briefly to the stage, appearing on Broadway in The Blue Flame. Bara’s fame drew large crowds to the theater, but her acting was savaged by critics.^[17]

Her career suffered without Fox Studios’ support, and she did not make another film until The Unchastened Woman (1925) for Chadwick Pictures. She retired after making only one more film, the short comedy Madame Mystery (1926), directed by Stan Laurel for Hal Roach; in this, Bara parodied her vamp image.^{[citation needed]}

At the height of her fame, Bara earned $4,000 per week (equivalent to $67,500 in 2022). Her better-known roles were as the “vamp”, although she attempted to avoid typecasting by playing wholesome heroines in films such as Under Two Flags and Her Double Life. She appeared as Juliet in a version of Shakespeare‘s Romeo and Juliet. Although Bara took her craft seriously, she was too successful playing exotic wanton women to develop a more versatile career.^{[citation needed]}

Image and name[edit]

The origin of Bara’s stage name is disputed. The Guinness Book of Movie Facts and Feats says it came from director Frank Powell, who learned Theda had a relative named Baranger, and that Theda was a childhood nickname. In promoting the 1917 film Cleopatra, Fox Studio publicists noted that the name was an anagram of Arab death, and her press agents, to enhance her exotic appeal to moviegoers, falsely promoted the young Ohio native as “the daughter of an Arab sheik and a French woman, born in the Sahara“.^[18][19] In 1917, the Goodman family legally changed its surname to Bara.^[7]

Persona[edit]

Bara was known for wearing very revealing costumes in her films. Such outfits were banned from Hollywood films after the Production Code (a.k.a. the Hays Code) started in 1930 under Will H. Hays and then rigorously enforced beginning in mid-1934 by Joseph Breen. It was popular at that time to promote an actress as mysterious, with an exotic background. The studios promoted Bara with a massive publicity campaign, billing her as the Egyptian-born daughter of a French actress and an Italian sculptor. They claimed she had spent her early years in the Sahara desert under the shadow of the Sphinx, then moved to France to become a stage actress. (In fact, Bara never had been to Egypt, and her time in France amounted to just a few months.)

A 2016 book by Joan Craig and Beverly F. Stout chronicles many personal, first-hand accounts of the lives of Bara and her husband Charles Brabin.^[20]

Marriage and retirement[edit]

Bara married British-born American film director Charles Brabin in 1921. They honeymooned at The Pines Hotel in Digby, Nova Scotia, Canada, and later purchased a 400-hectare (990-acre) property down the coast from Digby at Harbourville, Nova Scotia, overlooking the Bay of Fundy, eventually building a summer home they called Baranook.^[21] They had no children. Bara resided in a villa-style home in Cincinnati, which served as the “honors villa” at Xavier University. Demolition of the home began in July 2011.^[22]

In 1936, she appeared on Lux Radio Theatre during a broadcast version of The Thin Man with William Powell and Myrna Loy. She did not appear in the play but instead announced her plans to make a movie comeback,^[23][24] which never materialized. She appeared on radio again in 1939 as a guest on Texaco Star Theatre.

In 1949, producer Buddy DeSylva and Columbia Pictures expressed interest in making a movie of Bara’s life, to star Betty Hutton, but the project never materialized.^[25][26]

Death[edit]

On April 7, 1955, after a lengthy stay at California Lutheran Hospital in Los Angeles, Bara died of stomach cancer.^[27] She was survived by her husband, her mother, and her younger sister, Lori.^[27] She was interred as Theda Bara Brabin at Forest Lawn Memorial Park Cemetery in Glendale, California.^[28]

Legacy[edit]

Bara often is cited as the first sex symbol of the film era.^[29][30]

For her contributions to the film industry, Bara received a motion pictures star on the Hollywood Walk of Fame in 1960. Her star is located at 6307 Hollywood Boulevard.^[31]

Bara never appeared in a sound film, lost or otherwise. A 1937 fire at Fox’s nitrate film storage vaults in New Jersey destroyed most of that studio’s silent films. Bara made more than 40 films between 1914 and 1926, but complete prints of only six still exist: The Stain (1914), A Fool There Was (1915), East Lynne (1916), The Unchastened Woman (1925), and two short comedies for Hal Roach.^{[citation needed]}

In addition to these, a few of her films remain in fragments, including Cleopatra (less than a minute of footage), a clip thought to be from The Soul of Buddha, and a few other unidentified clips featured in the documentary Theda Bara et William Fox (2001). Most of the clips can be seen in the documentary The Woman with the Hungry Eyes (2006). As to vamping, critics stated that her portrayal of calculating, cold-hearted women was morally instructive to men. Bara responded by saying “I will continue doing vampires as long as people sin.”^[32] Additional footage has been found which shows her behind the scenes on a picture.^[33] While the hairstyle has led some to theorize that this may be from The Lure of Ambition, this has not been confirmed. Small fragments from Salomé were discovered in 2021 by an intern at Filmoteca Española.^[34]

In 1994, she was honored with her image on a U.S. postage stamp designed by caricaturist Al Hirschfeld.^[35] The Fort Lee Film Commission dedicated Main Street and Linwood Avenue in Fort Lee, New Jersey, as “Theda Bara Way” in May 2006 to honor Bara, who made many of her films at the Fox Studio on Linwood and Main.^[36]

Over a period of several years, filmmaker and film historian Phillip Dye reconstructed Cleopatra on video. Titled Lost Cleopatra, the full-length feature was created by editing together production-still picture montages combined with the surviving film clip. The script was based on the original scenario, with modifications derived from research into censorship reports, reviews of the film, and synopses from period magazines.^[37] Dye screened the film at the Hollywood Heritage Museum on February 8, 2017.^[38]

Filmography[edit]

Year	Film	Role	Notes
1914	The Stain	Gang moll	Credited as Theodosia Goodman
1915	A Fool There Was	The Vampire
1915	The Kreutzer Sonata	Celia Friedlander	Lost film
1915	The Clemenceau Case	Iza	Lost film
1915	The Devil’s Daughter	Gioconda Dianti	Lost film
1915	Lady Audley’s Secret	Helen Talboys	Lost film
1915	The Two Orphans	Henriette	Lost film
1915	Sin	Rosa	Lost film
1915	Carmen	Carmen	Lost film
1915	The Galley Slave	Francesca Brabaut	Lost film
1915	Destruction	Fernade	Lost film
1916	The Serpent	Vania Lazar	Lost film
1916	Gold and the Woman	Theresa Decordova	Lost film
1916	The Eternal Sapho	Laura Bruffins	Lost film
1916	East Lynne	Lady Isabel Carlisle
1916	Under Two Flags	Cigarette	Lost film
1916	Her Double Life	Mary Doone	Lost film
1916	Romeo and Juliet	Juliet	Lost film
1916	The Vixen	Elsie Drummond	Lost film
1917	The Darling of Paris	Esmeralda	Lost film
1917	The Tiger Woman	Princess Petrovitch	Lost film
1917	Her Greatest Love	Hazel	Lost film
1917	Heart and Soul	Jess	Lost film
1917	Camille	Marguerite Gauthier[39]	Lost film
1917	Cleopatra	Cleopatra	Approximately 1 minute exists
1917	The Rose of Blood	Lisza Tapenka	Lost film
1917	Madame Du Barry	Jeanne Vaubernier	Lost film
1918	The Forbidden Path	Mary Lynde	Lost film
1918	The Soul of Buddha	Priestess	Story, Lost film
1918	Under the Yoke	Maria Valverda	Lost film
1918	Salomé	Salome	About 2 minutes survive; Lost
1918	When a Woman Sins	Lilian Marchard / Poppea	Lost film
1918	The She-Devil	Lorette	Lost film
1919	The Light	Blanchette Dumond, aka Madame Lefresne	Lost film
1919	When Men Desire	Marie Lohr	Lost film
1919	The Siren’s Song	Marie Bernais	Lost film
1919	A Woman There Was	Princess Zara	Lost film
1919	Kathleen Mavourneen	Kathleen Cavanagh	Lost film
1919	La Belle Russe	Fleurett Sackton/La Belle Russe	Lost film
1919	The Lure of Ambition	Olga Dolan	Lost film; 82-second outtake does exist[40]
1925	The Unchastened Woman	Caroline Knollys
1926	Madame Mystery	Madame Mysterieux	Short film
1926	45 Minutes from Hollywood	Herself	Short film

Cultural references[edit]

This article may contain irrelevant references to popular culture. Please remove the content or add citations to reliable and independent sources. (February 2018)

• The short piano suite Silhouettes from the Screen, Op. 55 (1919) by Mortimer Wilson includes a miniature musical portrait of Theda Bara, who is portrayed in an atonal, expressionistic style.^[41]
• Bara is referenced in the 1921 Bert Kalmar/Harry Ruby song “Rebecca Came Back from Mecca“^[42] as well as their 1922 “Sheik From Avenue B,” sung by Fanny Brice.^[43][44]
• Bara was one of three actresses (Pola Negri and Mae Murray were the others) whose eyes were combined to form the Chicago International Film Festival‘s logo, a stark, black and white close up of the composite eyes set as repeated frames in a strip of film.^[45]
• The International Times‘ logo is a black-and-white image of Theda Bara. The founders’ intention had been to use an image of actress Clara Bow, 1920s “It girl“, but a picture of Theda Bara was used by accident, and once deployed, not changed.^[46]
• In June 1996, two biographies of Bara were released: Ron Genini’s Theda Bara: A Biography (McFarland) and Eve Golden‘s Vamp (Emprise).
• In October 2005 TimeLine Films of Culver City premiered the film biography Theda Bara: The Woman with the Hungry Eyes.
• Bara appears as a character in the books Vampyres of Hollywood and Love Bites by Adrienne Barbeau, and in Coldheart Canyon: A Hollywood Ghost Story by Clive Barker.
• In May 2016, a memoir titled Theda Bara, My Mentor, Under the Wings of Hollywood’s First Femme Fatale, by Joan Craig with Beverly Stout, was released. Young Joan, in the companionship of Bara during the 1940s and 1950s, includes tales of Bara’s husband, Charles Brabin, friends Marion Davies, Clark Gable, Victor Fleming, and other stars of the past.

Notes[edit]

1. ^ These roles did not portray the undead vampires featured in later horror films. The term “vampire” for a seductive woman was derived from “The Vampire”, an 1897 poem by Rudyard Kipling.^[2][3]
2. ^ Both of Bara’s siblings joined her for a time in the movie business. Marque worked briefly as a director.^[10] After an unsuccessful attempt to establish an acting career, Lori became a screenwriter.^[11]

References[edit]

1. ^ Archived at Ghostarchive and the Wayback Machine: “Theda Bara Speaking 1936”. YouTube. Retrieved October 8, 2019.
2. ^ Golden 1996, p. 30.
3. ^ Weinstock, Jeffrey (2012). The Vampire Film: Undead Cinema. London: Wallflower Press. p. 25.
4. ^ Love, Claire; Pollack, Jen; Landsberg, Alison (April 6, 2017). “Silent Film Actresses and Their Most Popular Characters”. National Women’s History Museum. Retrieved October 8, 2019.
5. ^ Liebman 2023, p. 17.
6. ^ Golden 1996, p. 10.
7. ^ Jump up to:^a b “Theda Makes ’em All Baras”. New York Times. Vol. LXVII, no. 21847. November 17, 1917. p. 11. Archived (PDF) from the original on July 20, 2008. Retrieved October 28, 2023.
8. ^ Genini 1996, pp. 1–2.
9. ^ Liebman 2023, p. 18.
10. ^ “Marque Bara, Ex-Director, Brother of Theda, ‘Silent’ Star”. The Brooklyn Daily Eagle. April 28, 1954. p. 13 – via Newspapers.com.
11. ^ Golden 1996, pp. 226–227.
12. ^ Golden 1996, pp. 10–12.
13. ^ Liebman 2023, p. 19.
14. ^ “The Devil – Broadway Play – Original”. ibdb.com.
15. ^ Fort Lee: Birthplace of the Motion Picture Industry. Arcadia Publishing. 2006. ISBN 978-0-7385-4501-1.
16. ^ “Library Reports on America’s Endangered Silent-Film Heritage” (Press release). Library Of Congress. December 4, 2013. Retrieved July 28, 2023.
17. ^ Golden 1996, pp. 204–209.
18. ^ Garza, Janiss (2008). “Cleopatra (1917)”. Movies & TV Dept. The New York Times. Archived from the original on October 8, 2008. Retrieved May 29, 2011. Film review.
19. ^ “Famous Silent Screen Vamp Theda Bara Dies Of Cancer”. The Montreal Gazette. Associated Press. April 8, 1955. Retrieved May 29, 2011.
20. ^ Craig, Joan; Stout, Beverly F. (2016). Theda Bara, My Mentor: Under the Wing of Hollywood’s First Femme Fatale. McFarland and Company, Inc. ISBN 9781476662831. LCCN 2016009417.
21. ^ Innis, Lorna (February 26, 2012). “Hollywood’s link with province long, varied”. Chronicle Herald. Halifax. Archived from the original on May 17, 2014. Retrieved October 8, 2019.
22. ^ “Early film star’s Cincinnati mansion being torn down”. The Columbus Post Dispatch. July 7, 2011. Retrieved October 8, 2019.
23. ^ “The Thin Man”. Lux Radio Theatre. Internet Archive. Retrieved December 1, 2015. Skip to 50m:50s.
24. ^ “The Lux Radio Theatre”. RadioGOLDINdex. Retrieved December 1, 2015.
25. ^ Brady, Thomas F. (January 21, 1949). “De Sylva Working on Movie of Bara”. The New York Times. p. 25.
26. ^ Brady, Thomas F. (December 2, 1949). “Betty Hutton Set for 2 Metro Films”. The New York Times. p. 36.
27. ^ Jump up to:^a b “Theda Bara, Screen Star, 65”. The New York Times. April 8, 1955. p. 21.
28. ^ Genini 1996, p. 1.
29. ^ “Classic Images – Vol. 250 – April 1996 Issue”. Classicimages.com. Archived from the original on July 16, 2012. Retrieved August 2, 2010.
30. ^ Adinolfi, Francesco (2008). Mondo Exotica: Sounds, Visions, Obsessions of the Cocktail Generation. Translated by Pinkus, Karen; Vivrette, Jason. Durham, NC: Duke University Press. p. 25. ISBN 9780822341321. OCLC 179838406.
31. ^ “Theda Bara”. Hollywood Walk of Fame. Hollywood Chamber of Commerce. Retrieved September 21, 2017.
32. ^ Panati, Charles (1998). Sexy Origins and Intimate Things: The Rites and Rituals of Straights, Gays, Bi’s, Drags, Trans, Virgins, and Others. Penguin Books. p. 295.
33. ^ Fads and Fashion of 1900 [& Other Newsreels] (film). Fun Film. 1905. 8 minutes in – via Ngā Taonga Sound & Vision.
34. ^ Archived at Ghostarchive and the Wayback Machine: “REDISCOVERED: THEDA BARA IN “SALOME”, 1918″. YouTube.
35. ^ “Hirschfeld draws silent screen stars stamps”. Stamps. 246 (13): 353. March 26, 1994. ProQuest 220978182.
36. ^ Page, Jeffery (July 9, 2015). “A Star in the Era Before Hollywood”. The Record. Retrieved August 21, 2019 – via Gale Onefile:News.
37. ^ “Lost Cleopatra”. Retrieved October 8, 2019.
38. ^ Ziemba, Christine N. (February 6, 2017). “Twenty Of The Coolest Events Happening in L.A. This Week in Arts & Entertainment”. LAist. Archived from the original on May 1, 2017.
39. ^ “Theda Bara Makes ‘Camille’ Reality”. Hartford Courant. October 30, 1917. Archived from the original on August 31, 2012. Retrieved October 8, 2019. Heralded as one of the screen triumphs of the day, “Camille”, adapted from the Dumas novel, and with Theda Bara the featured player, fulfills the promises of the management of Poli’s Theater, where this film really heads the bill this half of the week. Vaudeville must…
40. ^ Archived at Ghostarchive and the Wayback Machine: “Lost Film segment – Theda Bara – 1919 (currently unknown film source)”. YouTube. Retrieved October 8, 2019.
41. ^ Performance of Silhouettes from the Screen by Steve Norquist
42. ^ “What’s a Nice Jewish Girl Like You Doing in a Place Like This? – Arab Kitsch”.
43. ^ Furia, Philip George; Lasser, Michael L. (2006). America’s Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Taylor & Francis. pp. 35–. ISBN 978-0-415-97246-8.
44. ^ “The sheik of Avenue B”. Library of Congress. Archived from the original on May 21, 2017.
45. ^ “About: Mission & History Our Logo”. The Chicago International Film Festival. Our Logo. Retrieved October 8, 2019.
46. ^ Miles, Barry (1998). Many Years From Now. Vintage – Random House. p. 232. ISBN 0-7493-8658-4.

Works cited[edit]

• Liebman, Roy (2023). Theda Bara: Her Career, Life and Legend (Kindle ed.). McFarland & Company. ISBN 978-1-4766-5002-9.
• Genini, Ronald (1996). Theda Bara: A Biography of the Silent Screen Vamp, with a Filmography (Kindle ed.). McFarland. ISBN 978-0-7864-6918-5.
• Golden, Eve (1996). Vamp: The Rise and Fall of Theda Bara. Vestal Press. ISBN 978-1-887322-00-3.

Further reading[edit]

• Shakespeare on Silent Film: An Excellent Dumb Discourse by Judith Buchanan. Cambridge: Cambridge University Press, 2009. Chapter 6. ISBN 0-521-87199-9.
• Famous Juliets by Jerome Hart, in Motion Picture Classic, March 1923.
• A Million and One Nights by Terry Ramsaye. New York: Simon and Schuster, 1926.
• Fox, Susan (2006). William Fox: A Story of Early Hollywood 1915–1930. Midnight Marquee Press Inc. ISBN 1-887664-62-9.
• DiGrazia, Christopher (2011). The Director’s Cut: A Theda Bara Mystery. 1921 PVG Publishing. ISBN 978-0-9827709-4-8.
• Johnston, Bob (2002). Theda Bara and the Frontier Rabbi. Dramatist’s Play Service. ISBN 0-8222-1837-2.
• Altman, Diana (2010). In Theda Bara’s Tent. Tapley Cove Press. ISBN 978-0-615-34327-3.

External links[edit]

Wikiquote has quotations related to Theda Bara.

Wikimedia Commons has media related to Theda Bara.

• Biography portal
• film portal

• Theda Bara at IMDb
• Theda Bara at AllMovie
• Theda Bara at the TCM Movie Database 
• Theda Bara at the Internet Broadway Database 
• Excerpt from Golden’s biography Vamp
• Biography at monash.edu.au
• Theda Bara photo gallery NY Public Library Billy Rose collection
• “Theda Bara”, entry in Jewish Women: A Comprehensive Historical Encyclopedia
• The 1917 review of Tiger Woman starring Theda Bara from The Atlanta Georgian
• The Ex-Vampire by Theda Bara Vanity Fair Magazine, October, 1919

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Categories: 

• 1885 births
• 1955 deaths
• 20th-century American actresses
• 20th Century Studios contract players
• Actresses from Cincinnati
• American people of Polish-Jewish descent
• American people of Swiss descent
• American radio actresses
• American silent film actresses
• American stage actresses
• Burials at Forest Lawn Memorial Park (Glendale)
• Deaths from stomach cancer in California
• University of Cincinnati alumni
• Jewish American actresses
• Walnut Hills High School alumni

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